Burgundy | Matisse acrylic paint

    Chemical Description: Blend Quinacridone, Naphthol carbamide & Carbon black

    Pigment Numbers: PR122 PR170 PBk7

    Lightfastness Rating: ASTM II

    Pigment Opacity: Transparent

    Paint Opacity: Semi-Transparent

    Series 2

    Burgundy | Matisse acrylic paint

    Burgundy is a deep reddish purple color that has been popular for many years. It is similar to the tyrian purple used in antiquity. That color was made from sea snails and was reported to cost the same as the same weight of silver. It was the color worn by Roman emperors and it was forbidden for ordinary people to use the color. Its origins were with the ancient Phoenicians or the Minoans and production finally ceased in the 12th century AD.

    Fortunately Burgundy is far more affordable than the ancient color. It is a blend of quinacridone red, naphthol red, and black. Since it is possible to mix a blend like this on the palette, it is reasonable to ask why buy it in the tube premixed? It is easy to suggest that it is simply because the shade is very attractive to the eye, and people like buying pretty things. That might explain the first sale, but what about the second and third? Clearly there is more to it than just being a pretty color. In the real world of the studio artists have always found that certain colors are more useful than others.

    That might be because they make a great base for mixing certain kinds of colors that are commonly used in paintings. Earth colors, for example, are not so bright as some other colors but their muted earthy tones are perfect for everything from human skin to rocks and trees. Burgundy can be considered an earthy dark red. It is the color of dark red wine and is commonly found in hair colors and flowers and tints of it are often in the shadows in skin. It is a useful color, sufficiently useful that the artist would wish that there is a pigment this exact color, but there isn’t and so mixtures are the only possibility. There are many artists who appreciate the convenience of having it premixed ready for use. It saves time and it gives a consistent result that can be relied upon every time it is used.

    Burgundy is a surprising color. It is easy to think of it for making burgundy types of dark leathery reds, but it also likes to play with other colors. Mixing it with Australian Ghost Gum is not the first thing many artists would think of but that combination produces dusky colors that are gorgeous. The red components in the Burgundy show in these dusky colors as a beautiful pinkish undertone. These dusky colors are perfect for exploring the colors in the bark of gum trees, or the light in summer afternoons in the country. On a hot day there might be inky violet shadows in crevices and burgundy mixed with Ultramarine Blue can make those sorts of violets. Dark violets made with Burgundy and Ultramarine are full of dark mysteries and hidden depths. On the other hand mixing with Cerulean Blue produces a very different result. Now the blues are soft and gentle, suited to the wildflowers and distant hills. Blues like this are also the sorts of blues that are found in skies as the sun disappears over the horizon and the sky starts to darken toward night and loses the intensity of daytime blue.

    Burgundy is available in Matisse Structure, Matisse Flow.

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