Information about Matisse Flow & Structure Formula Paints.

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Lightfastness. Opacity. Permanency.

Matisse Acrylics Group

Only the finest quality pigments and ingredients are selected for the Matisse range of premium artist acrylic colours. All have the highest lightfastness rating of ASTM I or II. All Matisse paints are fully compatible with the range of Matisse Mediums working together to create a highly versatile painting system for all artists.

Matisse Structure & Flow Formula - Brilliant colours, unique formulas.

The intense, vibrant colours of the Structure and Flow Formula paints cover the full colour spectrum, including several uniquely Australian colours. Matisse Structure Formula is a rich impasto paint most like oil paint. Matisse Structure Formula paint is ideal for application with a brush or palette knife for striking textured effects or combined with the range of Matisse Mediums for exceptional flexibility of application and finish. Matisse Flow Formula is a low viscosity acrylic paint that glides from the brush. Matisse Flow Formula paint is ideal for mural work, canvas painting, geometrics, hard edge, photo realism and fine detailed painting - in fact any art that requires intense smooth colours.

Download the Matisse Range Colour Card PDF

Lightfastness

The lightfastness, (permanency of colour or resistance to fading) in paint, is rated in several different methods, however the most popular methods are:

  • ASTM (American Society for Testing and Materials); or
  • BWS (Blue Wool Scale).

ASTM ratings range from ASTM I to ASTM V, with pigments that are rated ASTM I being considered to have excellent lightfast qualities, and those rated ASTM III -V being considered fugitive. The BWS scale ranges from BWS 8 (excellent lightfastness) to BWS 1 (fugitive). For a paint to be considered artist quality, it should be lightfast, or permanent, with an ASTM rating of I-II or a BWS rating of 8-6.

Matisse paint labels indicate the lightfastness rating given to the pigment content of each colour and ASTM ratings have been used whenever possible, with the internationally recognised BWS rating being used when the ASTM has not tested a particular pigment for use in acrylic paints. All Matisse Flow Formula, Matisse Structure Formula, Matisse Background Paint and Matisse Ink's pigments are rated either ASTM I-II or BWS 8, so artists can be confident of creating lasting works of art.

 

Opacity Ratings

Although in most cases these two ratings will be the same, there are some pigments in a pure, dry state that may not maintain the same opacity when incorporated into acrylic paint. This may be due to variations in particle size between the pigment and other raw materials in the paint formulation, the intensity of pigments or the pigment loading in the paint system. These can all have an effect on the resulting opacity of the paint.

To help artists identify the opacity and transparency of Matisse Acrylic colours two ratings have been made available.

Pigment opacity rating: This denotes the actual rating that would be given to the pigment particle (and the aggregate for blends) when studied on a macroscopic level or as described by the pigment manufacturer.

Paint Rating: this rating describes the resultant opacity of the actual paint.

In addition to this, some colours will be different in shade, tone or even opacity even though they have the same name or generic colour index name (i.e. PY74). This is because this index for pigments is an indication of chemical type and basic shade only. The hue, tone, intensity (and opacity) can vary considerably between individual pigments classified under this index. Moreover, brands of paint with the same pigment number can vary due also to the use of fillers and other agents and the quality of the pigment used. Matisse Artists Acrylics use only the finest pigments available and limit fillers, when they have to be used (for rheology, in-can stability, flow control etc) to the bare minimum and do not use fillers to extend the colour, which generally results in dirtier, less intense colours.

 

COLOUR PIGMENT NUMBERS A B

LEGEND

A = Pigment Opacity B = Paint Opacity T = Transparent S = Semi-Transparent O = Opaque

Alpine Green PG7 PY74 PY83 T O
Antique White PW6 PY42 PY43 O O
Aqua Green Light PW6 PG7 O O
Ash Pink PW6 PBr7 O O
Aureolin Yellow PY40 S T
Australian Blue Gum PW6 PB15.3 PBk9 O O
Australian Ghost Gum PW6+Mica Titanate O O
Australian Olive Green(trans) PG7 PY83 PR101 PBK7 T T
Australian Red Violet PV19 T S
Australian Salmon Gum PV19 PY74 PW6 S O
Australian Sap Green PY74 PG36 PY83 PR101 T S
Australian Sienna PY83 PR101 PY42 S T
Australian Sky Blue PW6 PB29 O O
Australian Yellow Green PY74 PG36 PY83 S S
Bismuth Yellow PY184 O O
Brilliant Alizarin (Crimson) PR122 PR170 T S
Burgundy PR122 PR170 PBk7 T S
Burnt Sienna PBr7 PR101 T T
Burnt Umber PBr7 T T
Cadmium Orange PO20 O O
Cadmium Orange Deep PO20 PR108 O O
Cadmium Red Medium PR108 O O
Cadmium Yellow Light PY35 O O
Cadmium Yellow Medium PY35 O O
Carbon Black Bk7 O O
Carbon Grey PW6 PBk7 O O
Cerulean Blue PB36 S S
Chromium Green Oxide PG17 O O
Cobalt Blue PB28 O O
Cobalt Teal PG50 O O
Cobalt Turquoise PB36 O S
Deep Rose Madder (Perm) PR175 T T
Dioxazine Purple PV23 T T
Graphite Grey PBk10 O O
Grey Green PG7 PBk11 PW6 O O
Hookers Green PG7 PY74 PBk7 T T
Irridescent White PW6+Mica Titanate O O
Iso Yellow PY139 O O
Ivory Black PBk9 S S
Magenta Quin Violet PR122 T T
Magenta Light PY74 PR122 PW6 O O
Mars Black PBk11 S O
Mars Grey PW6 Pbk11 O O
Mars Violet PR101 O O
Matisse Emerald PG36 T T
Matisse Indigo PB60 T S
Matisse Orange DPP PO73 O O
Matisse Red Light PR254 S S
Matisse Rose Madder PV19 T S
Matisse Scarlet DPP PR256 O O
Metallic Bronze Mica Titanate Pigment O O
Metallic Copper Mica Titanate Pigment O O
Metallic Gold Mica Titanate Pigment O O
Metallic Light Gold Mica Titanate Pigment O O
Metallic Silver Mica Titanate Pigment O O
Midnight Blue PB29 PB15.3 PBk11 S O
Mineral Blue PB29 PBk11 PB15.3 O O
Naples Yellow Light PW6 PY42 PY83 O O
Naphthol Crimson PR170 T S
Naphthol Scarlet PR112 PO36 T S
Nickel Titanate Yellow (Naples Yellow) PY53 S S
Paynes Grey PB29 PBk11 S S
Permanent Green Light PY83 PG7 T S
Permanent Light Violet PW6 PV23 O O
Permanent Maroon PR179 S O
Permanent Orange PO36 PY74 S S
Phthalocynine Blue PB15.3 T T
Phthalocynine Green PG7 T T
Primary Blue PB15.3 PW6 S S
Primary Red PV19 S S
Primary Yellow PY3 PY74 PW6 S S
Prussian Blue PB27 T S
Quinacridone Red PV19 S T
Raw Sienna PY43 T S
Raw Umber PBr7 S S
Raw Umber Deep PBr7 PBk7 S S
Red Oxide PR101 T O
Skin Tone Deep PBr7 PR101 PG7 S S
Skin Tone Light PW6 PO36 PR101 O O
Skin Tone Mid PY74 PR101 PY42 O O
Southern Ocean Blue PG7 PB15.3 T T
Titanium White PW6 O O
Transparent Red Oxide PR101 T T
Transparent Umber PR101 T T
Transparent Venetian Red PBr25 T T
Transparent Yellow Oxide PY42 T T
Ultramarine Blue PB29 T T
Unbleached Titanium PW6 PY42 PR101 O O
Van Dyke Brown PBr7 S O
Venetian Red PR101 S S
Vermilion (Azo) PO36 S O
Yellow Deep PY83 T S
Yellow Light Hansa PY3 T T
Yellow Mid Azo PY74 T S
Yellow Oxide PY42 T T

 

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