Matisse Derivan - Proudly Australian Owned and Made
INFORMATION ABOUT MATISSE FLOW & STRUCTURE FORMULA PAINTS
Only the finest quality pigments and ingredients are selected for the Matisse range of premium artist acrylic colours. All have the highest lightfastness rating of ASTM 1 or 2. All Matisse paints are fully compatible with the range of Matisse Mediums working together to create a highly versatile painting system for all artists.
Lightfastness
The lightfastness, (permanency of colour or resistance to fading) in paint, is rated in several different methods however the most popular methods are:
- ASTM (American Society for Testing and Materials); or
- BWS (Blue Wool Scale).
ASTM ratings range from ASTM 1 to ASTM 5, with pigments that are rated ASTM I being considered to have excellent lightfast qualities, and those rated ASTM 3 -5 being considered fugitive. The BWS scale ranges from BWS 8 (excellent lightfastness) to BWS 1 (fugitive). For a paint to be considered artist quality, it should be lightfast, or permanent, with an ASTM rating of 1-2 or a BWS rating of 8-6.
Matisse paint labels indicate the lightfastness rating given to the pigment content of each colour and ASTM ratings have been used whenever possible, with the internationally recognised BWS rating being used when the ASTM has not tested a particular pigment for use in acrylic paints.
All Matisse Flow, Structure, Background and Ink pigments are rated either ASTM 1-2 or BWS 8 so artists can be confident of creating lasting works of art.
Matisse Structure & Flow Formula -
Brilliant colours, unique formulas
The intense, vibrant colours of the Structure and Flow Formula paints cover the full colour spectrum, including several uniquely Australian colours.
Matisse Structure Formula is a rich impasto paint most like oil paint. Matisse Structure Formula paint is ideal for application with a brush or palette knife for striking textured effects or combined with the range of Matisse Mediums for exceptional flexibility of application and finish.
Matisse Flow Formula is a low viscosity acrylic paint that glides from the brush. Matisse Flow Formula paint is ideal for mural work, canvas painting, geometrics, hard edge, photo realism and fine detailed painting - in fact any art that requires intense smooth colours.
Opacity ratings:
Although in most cases these two ratings will be the same, there are some pigments in a pure, dry state that may not maintain the same opacity when incorporated into acrylic paint. This may be due to variations in particle size between the pigment and other raw materials in the paint formulation, the intensity of pigments or the pigment loading in the paint system. These can all have an effect on the resulting opacity of the paint.
To help artists identify the opacity and transparency of Matisse Acrylic colours two ratings have been make available.
Pigment opacity rating: This denotes the actual rating that would be given to the pigment particle (and the aggregate for blends) when studied on a macroscopic level or as described by the pigment manufacturer.
Paint rating: this rating describes the resultant opacity of the actual paint.
In addition to this, some colours will be different in shade, tone or even opacity even though they have the same name or generic colour index name (i.e. PY74). This is because this index for pigments is an indication of chemical type and basic shade only. The hue, tone, intensity (and opacity) can vary considerably between individual pigments classified under this index. In addition brands of paint with the same pigment number can vary due also to the use of fillers and other agents and the quality of the pigment used. Matisse use only the finest pigments available and limit fillers, when they have to be used (for rheology, in-can stability, flow control etc) to the bare minimum and do not use fillers to extend the colour, which generally results in dirtier, less intense colours.
| Alpine Green |
PG7 PY74 PY83 |
T |
O |
| Antique Blue |
PB29 PW6 PBk11 PB15.3 |
O |
O |
| Antique Gold (discontinued) |
PY42 PY74 PBk11 |
O |
O |
| Antique Green |
PW6 PBk11 PG7 |
O |
O |
| Antique White |
PW6 PY42 |
O |
O |
| Aqua Green Lt |
PW6 PG7 |
O |
O |
| Ash Pink |
PW6 PBr7 |
O |
O |
| Aureolin Yellow |
PY40 |
S |
S |
| Australian Olive Green(trans) |
PG7 PY83 PR101 PBK7 |
T |
T |
| Australian Red Violet |
PV19 |
T |
S |
| Australian Sap Green |
PY74 PG36 PY83 PR101 |
T |
S |
| Australian Sienna |
PY83 PR101 PY42 |
S |
T |
| Australian Sky Blue |
PW6 PB29 |
O |
O |
| Australian Yellow Green |
PY74 PG7 PY83 |
T |
T |
| Brilliant Alizarin |
PR122 PR170 |
T |
S |
| Burgundy |
PR122 PR170 PBk7 |
T |
S |
| Burnt Sienna |
PBr7 PR101 |
O |
O |
| Burnt Umber |
PBr7 |
S |
S |
| Cad Red Medium |
PR108 |
O |
O |
| Cad Yellow Light |
PY35 |
O |
O |
| Cad Yellow Medium |
PY35 |
O |
O |
| Cadmium Orange |
PO20 |
O |
O |
| Cadmium Orange Deep |
PR108 |
O |
O |
| Carbon Black |
PBk7 |
S |
S |
| Cerulean Blue |
PB36 |
O |
O |
| Chrom. Green Oxide |
PG17 |
O |
O |
| Cobalt Blue |
PB28 |
O |
O |
| Cobalt Turquoise |
PB36 |
O |
S |
| Deep Rose Madder |
PR175 |
T |
T |
| Dioxazine Purple |
PV23 |
T |
T |
| Ghost Gum |
PW6 PY42 PBr7 |
O |
O |
| Hookers Green |
PG7 PY74 PBk7 |
S |
S |
| Magenta |
PR122 |
T |
T |
| Magenta Light |
PW6 PR122 |
O |
O |
| Mars Black |
PBk11 |
S |
O |
| Mars Violet |
PR101 |
O |
O |
| Matisse Emerald |
PG36 |
T |
T |
| Matisse Indigo |
PB60 |
T |
S |
| Matisse Orange DPP |
PO73 |
O |
O |
| Matisse Red Light |
PR254 |
O |
O |
| Matisse Rose |
|
|
|
| Madder |
PV19 |
T |
S |
| Matisse Scarlet DPP |
PR255 |
O |
O |
| Metallic Bronze |
mica titanate pigment |
O |
O |
| Metallic Copper |
mica titanate pigment |
O |
O |
| Metallic Gold |
mica titanate pigment |
O |
O |
| Metallic Light Gold |
mica titanate pigment |
O |
O |
| Metallic Silver |
mica titanate pigment |
O |
O |
| Midnight Blue |
PB29 PB15.3 PBk11 |
S |
S |
| My Pink (discontinued) |
PW6 PO36 PG17 PR170 PR101 |
O |
O |
| Naples Yellow |
PY53 |
O |
O |
| Naples Yellow Light |
PW6 PY42 PY83 |
O |
O |
| Napthol Crimson |
PR170 |
T |
S |
| Naphthol Scarlet |
PR112 PO36 |
T |
S |
| Payne’s Grey |
PB29 PBk11 |
S |
S |
| Permanent Green Lt |
PY3 PG7 |
T |
S |
| Permanent Lt Violet |
PW6 PV23 |
O |
O |
| Permanent Orange |
PO36 PY74 |
S |
O |
| Phthalocynine Blue |
PB15.3 |
T |
T |
| Phthalocynine Green |
PG7 |
T |
T |
| Prussian Blue |
PB27 |
T |
S |
| Raw Sienna |
PY43 |
O |
S |
| Raw Umber |
PBr7 |
S |
S |
| Red Oxide |
PR101 |
O |
O |
| Skin Tone Deep |
PBr7 PR101 PG7 |
S |
S |
| Skin Tone Light |
PW6 PO36 PR101 |
O |
O |
| Skin Tone Mid |
PY74 PR101 PY42 PBr7 |
O |
O |
| Southern Ocean Blue |
PG7 PB15.3 |
T |
T |
| Terracotta |
PO36 PR101 |
O |
O |
| Titanium White |
PW6 |
O |
O |
| Turner’s Yellow (discontinued) |
PY74 PY42 PR112 PW6 |
O |
O |
| Ultramarine Blue |
PB29 |
S |
T |
| Unbleached Titanium |
PW6 PY42 PR101 |
O |
O |
| Van Dyke Brown |
PBr7 |
S |
O |
| Venetian Red |
PR101 |
O |
O |
| Vermilion |
PO36 |
O |
S |
| White Pearl |
PW6+ Mica titanate |
O |
S |
| Yellow Deep |
PY83 |
T |
S |
| Yellow Light Hansa |
PY3 |
T |
T |
| Yellow Mid Azo |
PY74 |
T |
S |
| Yellow Oxide |
PY42 |
O |
O |
|
LEGEND
A = Pigment Opacity
B = Paint Opacity
T = Transparent
S = Semi-Transparent
O = Opaque |
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